David Wimbish & The Collection

Total plays are cumulative, so they only ever rise. The movement columns are the real signal — a song can be gaining spins every day while monthly listeners fall. Ordered by yesterday's spins.

Anyone with this link sees this page and nothing else — no other artist, no password.

Replacing or turning off stops the old link working straight away.

Subscribers and total views already collect from the public API. Watch time, where views come from, and audience age and country are visible only to the channel owner — so David Wimbish’s Google account needs to allow it once.

This grants reading of analytics only. It does not make Brick Wall a manager of the channel, changes nothing about who owns it, and they can withdraw it from their own Google settings at any time.

TikTok’s public page rounds anything above ten thousand to three digits — 34,400 for weeks at a time — so the day-to-day movement can’t be seen. Signing in once as @thecollectionband returns the real number.

This grants reading of follower, like and video counts only. It cannot post, read messages or change a setting, it changes nothing about who owns the account, and they can withdraw it from their own TikTok settings at any time.

Instagram’s public pages carry no follower count at all any more, so unlike the other networks there is no way to read these without being let in. Once David Wimbish has shared their Page with Brick Wall, signing in here reads both Facebook and Instagram.

This reads follower counts only. It cannot post, cannot reply to anyone, and changes nothing about who owns the accounts — the artist grants it from their own business settings and can withdraw it there without telling us.

Kit connected 2026-09-29. Collects each morning.

These get the same chart and day/week/month movement as everything above, the moment there's a single reading to plot.